Author Spotlight: Interview with Abyrne Mostyn

Today I am interviewing my friend and fellow author Abyrne Mostyn. If you haven't read any of his works you need to!  Swingers was featured on Storytime last fall.  Before you dig into the archives, sit for a few minutes and hear what he has to say on his life as a writer.

Before setting things up for our interview I was in a two hour meeting that ran over.  Bear with me as I try not to be too frazzled.  I've spend the last two days minus the meeting reworking my most recent story -  again. Ever have those times when it just wasn't right? 
 
Absolutely. As a matter of fact it was just September or October when I literally torched my work in progress. Now, I kept the jump drive, I’m not stupid…but what I had wasn’t working and I couldn’t make it work so I took the hard copies, pitched them in the charcoal and lit. It was liberating in so many ways. I think it’s tantamount to the story you’re telling that you know when you’re just adding words instead of bringing it forward.

 
When did you first decide you wanted to be a writer?

I don’t think I actually decided, and I’m not sure that it is actually a ‘want’.  I am a storyteller.  I like the name Bard, Eclectic Bard.  I’m more of a word enthusiast and call myself that as well.  Writing is an outlet for the stories that run unchecked in my head most all the time.  The inner dialog about everything I’m doing, wanting to do, or never to do coming out.  I did ARC reviews for several authors and found that as I was reading their work and looking for the pieces that didn’t fit, needed completion or were wondrously well done, that I knew I could do this and create worlds with the same elements that I was checking.  I loved words and putting them together, writing became an outlet for something I already enjoyed.  Why now or why publish now would be a good question and I think it kicked back up several years ago when I began ‘method’ role-play for other authors.  Bringing characters to life and trying to create plausible stories for them between book releases as a means of marketing and promotion for writers I enjoyed or had reviewed and could emulate their writing style brought the passion back to putting words together and out in front of an audience.  I have had some great opportunities and met some incredible writers through this process.  Some of those writers are not out there published, but their work in the Role-play community is really outstanding.

Much of what I have written that is out there is from a long time ago and not work that I’m presently promoting or seeking audience for.  I think it was a trial run for this time or a future not yet embarked upon.  Swingers, an erotic short story is available in eBook format on Amazon, and its follow up The Red Queen, if all goes according to plan will be out in February this year.  Through the Oracle’s Mist is the big piece right now and again if all goes according to plan, it will be done by a publishing house sometime this year.  The platform is ready and I will present that in February for consideration.  Racing the Riptide is another work in progress that I have high hopes will be picked up and published, but that is not the current quest.

 

I've read Swingers, and a few teasers from Through the Oracle's Mist.  I like your style.  I enjoy the depth, the descriptives you use to convey the emotional punch.

To date what do you feel is your best work?  Why?

I don’t think my best work is out there.  I think that as a writer I’m still developing and growing.  I can make the stories I’ve written better at almost every turn, but as they stand they are pretty good as well.  I think that the story I want to tell, the one I hope to one day tell is still in me.  *smiles*  You’ll have to wait for it though,  because I’m not ready to tip my hand as to what that story is….but let’s just say that there’s a tale I dream of one day being good enough to emulate and bring out in my own fashion.  It would be the highlight of my time as a writer when I get there.  Until then, I’m just going to keep plugging away at the ones I’m telling now and work to be good enough one day to say I’m where I wanted to be.

 

I can absolutely relate to that.  I have a series planned in a different genre that I don't feel quite good enough to write well yet. I have a notebook filled with little snippets of ideas that I have for stories whether short stories or novels or even series.  It seems I am overrun with ideas, and can't seem to write fast enough to get them down on cyber paper.  Where do you get your ideas?

Idea generation for me comes from everything, but I think that’s an old skill coming out in a new way.  In college I was a competitive speaker.  I loved it, and made the national podium in Impromptu.  I think writing is a lot like impromptu speaking. In Impromptu, you get a topic or prompt and have a couple minutes to develop the topic into several presentable points, and then speak.  I would practice for this event by taking a newspaper headline or the first line of a song when I turned on the radio and then work to develop it into speaking points. Writing is the same for me.  You (I) get a prompt, a topic, a subject, a scene and you develop the idea into something else.  Whatever the idea is, I try to develop it into three or four points that I can then make a presentable story.  Sometimes the story develops far and wide of the original idea, but sometimes not.  It’s the same idea though that you expand the subject…so thus, the idea can be anything.  Rest assured you will never see me try to develop a story from the worst speech prompt I ever had to work with; Visine’s slogan “Gets the red out.”

 

Like I mentioned, sometimes I can't seem to write fast enough as the ideas are flowing. What is your idea flow like? Do you get one idea and stick with it to completion or does it seem that the more you work the faster your ideas come to you?

*laughing* In a pinch, if I’m hip deep in a section and an idea that is unrelated but will be vital later comes, I have been known to open a clean word doc and jot it down, but usually I add it to a running list in my planner. I am horrified to think that I might lose it in the throes of something else and so I have to jot it somewhere that I can locate it later and I’m notorious for losing scraps of things, so I cannot hope to keep ideas just anywhere.

If you knew how many half worked pieces I have sitting in the planner, half formed in a composition book somewhere in the stack, or on the computer you wouldn’t need to ask. If an idea hits I write it down, regardless of what I’m working on. It makes things take longer, but I think it’s like a tub with a half open drain when you write, you have to keep the little drops coming in or eventually there’s nothing left in the basin. I will eventually get to all of them, but not necessarily as they came to me. 
 
I think that when you immerse yourself in the writing that ideas are like rabbits. That’s the magic of writing. When I’m really working on something it seems like I have more vivid dreams and the ideas that have been playing along the fringe refine themselves and become clearer. Not so much that they come faster, my mind just seems to be more open to the possibilities and they become such that I can bring them out in some semblance of order or with less confusion.


 

Oh wow!  We are so alike in that vein. I like the analogy of the tub, I'll have to remeber that one. Yeah, it's embarassing how many partial projects I have.  Next topic, characters.   Do you use real people as your characters or do you completely make them up?  Describe your process.

I honestly think that there is a little bit of me in every character I bring to life.  There has to be as I stand in their shoes and write from their perspective.  Sometimes, someone else steps into the role in my mind and then I have to have a sense of them to be able to lend their voice to the character, but this is coincidental.  For instance, The Red Queen was not written for my friend Margaret, rather Margaret came to be TRQ in my mind as I wrote.  She passed away while I was writing Swingers and just seemed to step into the spot.  TRQ is not exclusively her, nor was she a model as I wrote, but rather TRQ became a tribute to her and many of the things I knew of her seemed to suffuse the character as she developed.  Other characters, the three-faced god of Amaranth for example, I have no idea where they came from or if there is anyone I can relate to in them, they are peripheral to the story being told so their development was circumstantial.

The process for any character I write though is essentially the same.  I want to have a good sense of them and all of their ‘faces’ before I start.  Once I know of a character I try to figure out how they look, but also their outlook.  What is their goal?  Are they essentially good, is there wiggle-room in their ethics and values, or are they the apple that ruins the bushel.  What do they think about when they shut off the lights and how do they think others see them.  In my mind I try to make them a literal person with likes, dislikes, wants, dreams, and desires.  Not just the goal I have for them in the story, but if I ran into them on the street what would I see?  Do they dress well?  Are they kind?  How do they speak?  How tall are they?  How do they smell?  What would I see if I looked into their soul?  I try to imagine the nicknames that their friends would give them and the slights of those who would begrudge them.  In general, I want to know every good, bad, dirty, nitty, gritty thing about them without making a laundry list.  Sometimes I will sit and stare and just wonder at them for hours trying to feel them in my mind to be able to write them.  I feel like I should not have to think too much at how they will behave in any circumstance, as I’m writing it should just come out because I know them intimately before I begin.

 In the character development, my daughter was taking a creative writing class and they made a list of their characters, then did a page on each. For example: Their biggest fears? Waht is their driving purpose? Then there were quirky questions like thier biggest turn on/ turn off. Favorite color, favorite foods, stuff like that. I utilized that exercise and take it a bit further. I sometimes figure out where they are willing to comprominse. Some people are given to lust, some to greed, others to drink or food. Have you ever put your characters through the grinder with questions of this sort?

I think I partially answered this in the do you use real people question, but yes I put every character through a ‘grinder’ of sorts. I want to know them inside and out before I start, and I use the character page on Writeway Pro to help me with that. I can add anything I want, but I can also print out a template of their stats and have them sitting in front of me when I write. I have a pretty clear vision of how they dress, how they speak, what they like or don’t and what
drives them when the story isn’t about them. I think you have to to be able to write the story or you will forever be stopping to think, what would they do? You should know before they are in that scenario.

 

 Who is/are your favorite author(s)?

There are so many…I could write a small novel of name after name.  Some that jump immediately to mind are Nelson DeMille, John Grisham, Michael Scott, Jules Verne, Edgar Allen Poe, Karen Marie Moning, Douglas Preston, and Lincoln Child.

 

Describe a typical writing session.  Do you have any rituals or good luck charms?  A certain snack?

Writing for me is generally done in complete seclusion with the door closed.  I write in total silence, no background music or ambient sounds, but I think that’s because I am usually talking as I write.  I like to hear the words spoken and have an auditory sense of how they fit and feel together.  I love to roll words around out loud and open myself up to how they make me feel as they are spoken.  I write with my thesaurus for this because I have found that as I’m speaking, sometimes words come out that sound and feel good in the flow but they don’t convey the emotion that I want for the passage and so I have to find another that fits better.  I will outline long before I write and usually know chapter by chapter what will happen as well as how many chapters there will be before a single word hits the page.  I write long hand first and then transcribe.  I like the feel of the pen in my hand as I script and feel like the act of the writing gives it a life that the keyboard cannot.  When I transcribe I prefer my desktop to the laptop.  The laptop is convenient, but the cursor is too sensitive and far too many times I have looked up to find that I’ve been typing along in the middle of another paragraph and it completely destroys my thought and flow.  You would be hard pressed to convince me that it is a coincidence that cursor has the same root as curse.

Perhaps the only ‘ritual’ is that I will tell myself the story several times over while doing other things; Sometimes out loud, sometimes just thinking through the passages before I ever sit down to write.  When I do sit down, the words come pretty quickly.  At this point if there is stagnation in the process it is because I don’t usually fit the connecting pieces together as I’m telling myself the tale and those are usually the last bits I write, mostly because to me they are hard.  The story in my mind is complete, but the readers will need the blanks filled in a little as they cannot read my mind.  ;)

Snacks?  No.  I take breaks to eat sometimes when I realize I need to, but I don’t eat while I’m working.  I have a coffee pot at the computer and a large mug that goes with me when I’m writing long hand away from my desk.

 

*Mentally running over my own rituals of having to have everything in just exactly the right stack or positiondown to turning my coaster exactly parallel with edge of desk *   Do you have a sense of audience or a reader when you are writing?

No, I really don’t.  I tell the story the way it makes sense to me, in the voice that makes it flow the best for me as the writer.  I find that in telling any story, until I get to “The End”….I have to keep answering the question, “And then what?”  JR Ward has a great series out called The Black Dagger Brotherhood.  I did a review of it several years ago and still laugh to tell people my favorite character is Vishous.  Why Vishous?  ..because, he is the consummate storyteller and has to have it just so before he can proceed.  He and I share this.  There is a scene in his book Lover Unbound where the thing that has been burning between him and Jane is going to happen and he is spelling out exactly what he’s going to do and exactly how and he stops and says, “Say to me now, ‘And then what V’?”  to which she responds wrong, and he stops and tells her, “No, start over and do it right this time….Say the words I want to hear.”  And finally, FINALLY when she responds with “And then what V?” does he continue.  Granted, most people reading that passage probably didn’t identify with the perfectionist dictate of it and how it translated to writing like I did…but my story, whatever the story is, is this same way for me as a writer as Vishous’ instructions to Jane….I have to answer the ‘And then what?’ and do it right before I can go to the next part.  I am the story’s first customer and so the writing is always for me.  Jane is the readership that will still get the ‘goods’, but I as the writer, like Vishous, I have to do it my way.

 As a big fan of JR Ward and of her Black Dagger Brotherhood series, there are reasons to like most of her characters.  I liked Vishous for different reasons, the perfectionist in him resounded too much with my own little idiosynchrasies and I could totally see myself in similar conversations with my children.  That's one of the criteria for me for authors I enjoy is if the characters feel real not forced or cardboard.  How do you flesh out a cardboard character?

*laughing* I cannot tell you how many times I’ve heard about the ‘other reasons’ people like Vishous. For me, his uncompromising dominant way was a perfect metaphor for how I see myself when I write. It is a ‘my way or the highway’ mentality while I’m creating, but one that serves me when trying to move the story. “And then what?” is literally in script above my writing wall in full view.

I’m not sure how you’re defining cardboard. To me, when you are developing a character you take them from one, to two, to three and four dimensional as you meet them and then get to know what makes them tick. I think being willing to sit back and let them reveal is important even if the one you end up with isn’t one you like. And by like, I mean they aren’t your favorite. It’s like there has to be the one you love to hate and sometimes they are the most multidimensional of all because they’ve gotten under your skin and you know them better just because you have to to keep them on track as they are.

As to the 'other reasons' *blushing here*  I am a woman after all. 
I love your description of that, we do tend to fully develop the one that irks us the most whether  the character was based on someone we know or characteristics of someone, or just proves to be a general pain in the arse.  What I  was thinking is actually a character that the author didn'ttake the time to develop.  They seem flat or one dimensional.  I've read some in the romance genre that I seriously wondered how they ever got published.  anyway, moving on.

How do you handle research?  Do you gather all data first or start writing while still gathering?

This depends widely on the story.  Sometimes the story being told is a complete farce.  A complete work of fiction and is based solely in my mind at the moment I’m writing.  Sometimes, like Through the Oracle’s Mist, there are components of history in them that require me to have not only passing knowledge but an understanding of the time I’m writing about.  In some cases I have written first and left underlines in places knowing I would need to do the research for a specific bit of information, in other cases I have jumped into the research first because the passage would have no merit to try to do it backwards.  I actually will research all the while I’m writing in some cases, and this is a very good thing.  A prime example would be in writing about the times of the Genpei war in Japan, I was referring to ‘geisha’ in several passages.  What I found while looking for something else for those same chapters was that for ‘saburuko’ or serving girls in the tea houses of Japan during this time, that those from the Kyoto region were not known as ‘geisha’ but as ‘geiko’.  Many would probably over look this for the sake of the story, but for me, it was technically wrong and had to be corrected as I was in fact referring to those from Kyoto.

I think this willingness to do the research and make the connections for the sake of the work make the story better.  So, in answer to the question posed…I think my answer is all of the above.  ;)

 

As a writer what would you say is your best skill?   What is your worst?

I think the ability to drive emotion is probably the best skill I have.  As a reader I want to feel a connection to what I read, so as I writer I work hard to make the work real and with emotional baggage be it joy, sorrow, grief, elation….whatever it is, I want the reader not to “read” that a character was, but to feel that a character is.  Some of this ties to character development and finding a way to convey them beyond the visceral to make them tangible.  I think this bonding between the reader and the character is what makes or breaks a story even if it’s poorly done.  A well written and developed character can take you past wording that doesn’t work for you and make you feel like you have to finish the tale where another story of the same caliber would get put down without this association.  I think that my altruism to the work and being willing to walk away or, as I did recently with Oracle, burn it because the connection wasn’t there is not a skill, but it is one of my better attributes as a writer.  Knowing I’m not happy with it, I’m not satisfied to continue on and hope it gets better, I can and will start over to tell the story as it should be told.

Worst, perfectionism.  This is true beyond writing and will plague me.  I can rewrite forever it seems and end up flinging mud as I spin in dreck.  I am hard to please as a writer and it makes things take longer.

 

What are the last three books you’ve read?

I’m always reading something, so the “last” three is hard….Three that I’ve read recently would be; The Landmark Thucydides. A comprehensive guide to the Peloponnesian war by Robert Strassler, Iced by Karen Marie Moning, and The Oracle.  The lost secrets and hidden message of Ancient Delphi by William Broad.

 

I would love to go to Key West and tour Hemingway's home.  Likewise, I'd love to go to England and tour Emily Bronte and Agatha Christie's homes. Is there a special writer's vacation you'd like to take?

 

I have never considered it really, but sitting here, I think I would like to stand in the Parthenon. I would like to visit the Acropolis, and I would like to stand on Mt. Parnassos at Delphi and just feel the energy there.  Not as a writer, but as a student of the world.  I would like to stand where the thinkers and the bards of long ago were, the places where the world seemed to carve from.  As a writer I would love to visit all the places I have dreamed to write about or written and see if they feel the same in real life as they do in tales.  I would like to sail the Hebrides, and float the Venice canals.  I think that the journey for me that would have the most influence would be the ones where I could stand and dream a new tale without the constraints of what it is now, but rather with the wonder at what was or what could be.

  

*daydreaming about sailing around the Hebrides, around the waters of Iona and Skye. Picturing a facsimile of one of the MacKeltars in a bulky cable sweater at the wheel*   ahem
Travel is one of my biggest desires.  So far I haven't managed to do much of it and I think it's about time I do.

What advice would you have for a new aspiring writer?

BEGIN.  Whatever you do or don’t do after that, Begin.  There is no ‘THE END’ without ‘In the beginning’.  I’ve talked to many folks who are trying to start and the question is always “How?”  The answer is, keep it simple.  Pick an image and describe it, take a word and make a conversation, choose a voice and write a monologue.  Can’t come up with it?  Try picking a character you love and write a story for them that hasn’t been told.  I am not advocating plagiarism here… I am saying tell the side you have never seen.  Choose a villain you love to hate and tell the love story that you’ve never heard.  Choose the good guy from the television show and write about his wild and rowdy night on the town.  Write something that you would never see for this character as it is completely against their nature as you know them.    Once you can do this then start coming up with your own characters and the stories that go with them, but don’t kill yourself and burn out before you get started trying to take on the 300 or 500 page novel from scratch with nothing else under your belt.  The 50 Shades of Grey series that came out recently by EL James started as fan fiction for Stephanie Meyer and her Twilight saga.  Does it seem like it’s the Vampires and Werewolves Meyer wrote?  I have no idea, I haven’t read them, but what I’m saying is that the idea developed by piggy-backing on something else that was out there.  My own work in progress is a piece that came about because I took a character that I role-play for another author and was writing a story to fill in between book releases and as it developed it became a completely different thing.  The character disappeared and a tale unfolded in ways that would have no place in the story that spurned it, but it was a place to jump off from.  We all need to find the end of the pier and jump into the deep end somewhere.  Just take a few laps in the kiddie pool first.

Writing isn’t re-inventing the wheel.  It’s finding new ways to tell the same stories we’ve been reading all along.  There aren’t a thousand new genres that come out every year….there are a thousand books though that do and they fall into the established genres.  And this is the next big step...  Once you can honestly put a string of words together to complete a thought, once you can take a mental image of a character and breathe life into them, you have to decide what they are going to do and this will determine the genre you write in.  Maybe there will be more than one, but probably best to start with just one.  And there is nothing wrong with starting small.  It’s like writing essays….in middle school they were a page, in high school we went from 3 to 5 to 10 pages and in college we went from 15 – to hundreds for thesis work.  Allow yourself the time to grow.  I would say to you, remember you have to crawl before you walk before you run.  And I would again remind you of Vishous, son of the Bloodletter from the Black Dagger Brotherhood and the side of the conversation with Jane in the bathroom that you likely didn’t catch if you’ve read it…. “And then what?”

Whatever path you take, remember that you have to start.  Dreaming is that voice inside telling you that there is something there but it can’t do it without you.  There’s magic in dreaming and stories too.  No matter how good the dream though you still have to get up and take up the pen to tell the tale or it is only ever a dream.  There’s a song out that is more an analogy for life, but the key line is an absolutely perfect observation statement for this….Natasha Beddingfield says, “Today is where your book begins, the rest is still unwritten.” 
I say, “You are the only one who can change that.”


Well there you have it, words from the Bard himself, Abyrne Mostyn.  Thank you for taking the time for our interview.  I can't wait to read The Red Queen.  If you'd like to read more from Abyrne you can check him out on here, or on any of these links! 



Swingers,
 
Abyrne Mostyn Word Enthusiast

Abyrne's blog

AbyrneMostyn.com



 

Sunday Spotlight:  Interview with our writers.  Today's guest is Cassidy Frazee.

Tell us a little about yourself.

            Staring off, I’m old.  Probably not as old as some may think, but old enough.  I’ve lived my entire live in Northwest Indiana, which is, again, longer than I should have lived here, but I can’t afford to move where I want to move, so I stay here—for now!

I read a lot:  my private library has somewhere around two thousand books that I’ve been buying since I was about nine.  In fact, you can find a few novels on my shelf that are $.95, which was the cost of a novel in the mid-1960’s.

Beyond that I’m not an interesting person.  I did want to be an astronaut at one point, but that didn’t work out for me for some reason.

What are your favorite beverages and snacks? .

           I usually drink water.  There is something about cold water out of a pint glass that tastes like nothing else to me.  I’m not much of a soda drinker these days, because the taste of soda has changed considerably since I was a kid.  I like popcorn as a snack, but the thing I really love are pretzel sticks.  And those veggie chips; I enjoy those a great deal, too.

*waves in server to bring a bowl of veggie chips and a big tall glass of ice water*  If there's anything else you'd like just let Paul know.  *nods to Paul a thank you*

You've already published books, Can you list them and give links?

There is Kuntilanak, which is a horror story that takes place on the island of Bali.  My other story is Captivate and Control, which is a work of mild erotica about—well, if you buy it you’ll find out.  All I will say about the later is there is sexy goings on inside the story.

To date what do you feel is your best work?

I’m really critical of everything I write.  At the moment I feel my NaNoWriMo 2011 novel, Her Demonic Majesty (which I submitted to Harper Voyager back in October) is one of the best things I’ve written.  My huge—and unpublished—Transporting Series is right up there, however.  So it’s a neck-and-neck thing.

Where do you get your ideas?

They tend to come to me.  I don’t sit and go, “I need an idea, bring it!” I just let things happen.  When something does hit me, then I write it down in a Story Ideas file that I have on my computer.

*motions Paul to refill our glasses*  I think I would have to agree with you on this one Cassidy, nothing is quite as refreshing as just plain ice cold water.

Have you ever struggled with writer's block and if so how did you get past it?

I know what I’m about to say will go against the grain of a lot of people, but I don’t believe in writer’s block.  Like Chuck Wendig, I don’t believe in what most people call “writer’s block”, but rather that creative people have their ups and downs when it comes to producing.

I’ve said on my blog that there have been things that I couldn’t write, or finish writing, but that was because I hadn’t grown as a writer, and didn’t have the emotional capacity to write what needed to be written.  That’s not writer’s block; that’s being incapable of dealing with shit, and it showed.

William Gibson has said that when he has nothing to write, he doesn’t write, but he goes and finds things to do that help expand that creative ability of his.  There have been a few times when I haven’t felt like writing, mostly because I was feeling like I was beat down into the ground.  But I know I need to write, because that’s the only way you get better, and that’s the only way you finish what you start.  What I might do then is set a lower limit to reach, but I will reach it.

Also like Chuck, I think people spend too much time afraid of the old block.  It’s a convenient thing to do, though, because is removes any responsibility from the writer to create.  “Oh, I’ve got writer’s block.”  Okay, Jack Torrance, guess that means it’s time to murder the family.  Kick that boogie man in the ass, because it’s not the boss of you.

As for working through it, let Chuck show you the way.  He’s much better at explaining anyway.

 *breaks out in riotous laughter.*  Love Chuck!   That man has a way of getting all up in your face, and yet makes you want to do better.  He points out in a way that you see the points where you are failing, or at least not  doing your best.  Instead of making you mad, though he makes you want to do better.  If for no other purpose, to not find yourself on his next list.

What are your favorite genres to read?

It’s always been science fiction, though that’s getting harder to find these days, because it seems like everyone wants to write about dancing elves and singing dwarves off to fight a dragon, and maybe bone a shield maiden along the way.  If that’s your bag, great; you can have mine.  I used to love to read horror, but once it turned into a goddamn zombiefest, I gave up on that genre as well.  These days I just write my own.

Describe your writing routine.

It’s different for different times.  I usually do my blog posts in the morning, and get them posted before ten AM.  I always try to come up with a nice title, and I always write more than five hundred words for each post.  If I’m really feeling good, I’ll write a thousand; I think the longest blog post I’ve written was about twenty-two hundred words.

In the afternoon (if it’s the weekend), or the evening (if it’s after work), I’ll do my current work-in-progress.  Since I write everything in Scrivener, I can track my progress by watching my project stats for the day.  I always do a minimum of a thousand words a day, no matter what, unless I’m feeling like total crap.  Then I’ll do five hundred words.  Between the blog and the stories, I manage between five hundred and two thousands words a day.

Well I have to give you a personal thanks there, you've helped me tremendously in understanding the capabilities of Scrivner.   I'd still be dazed and confused over the videos if you hadn't advised me.  It is truly a wonderful piece of software, and I must say I am often amazed when you post your stats, or screen shots of your timelines or cards.  It pushes me to be a little more organized, a little more efficient.  Not that I 'm competitive or anything.  *Checks out Cassidy's boots, and new dress, adjusting my skirt.*

I know you use cards and timeliness. You’re obviously a plotter.

One of the things that people don’t get is just because you lay out a story in an outline form, that doesn’t make you a plotter.  Here is a picture of the layout of my current story; on each of those chapters is a small instruction, and that’s more or less happening in that chapter.  That’s the extent of my “plotting”, at least for this story.

For some of my novels I’ll get a little more in-depth with details, but that’s only for things that may involve something intricate, like the supernatural murders that happened in my last novel.  If you don’t keep the players in line, before you know it you’re like any number of writers who’ve popped up on Facebook screaming, “This novel has gotten too big for me, I don’t know where to go, my characters won’t talk to me!  HALLLLP!”  I like to get my story down right the first time so I don’t have to spend months rewriting and reworking the thing.

How much of yourself do you put in a story?

Albert and Audrey Dahl—from a group of stories I’m writing/have written—are pretty much me:  it’s as close to doing a Mary Sue as I’ll ever get.  And in the very first drafts of the novel they were so horrible.  Really, that was back when I didn’t know what I’m doing.  I’ve grown up, and so have they.  Other than that, I stay out of my stories, other than to step into them from time to time and look around to know I’m getting it right.

Do you speak from a narrative voice from yourself?

I’m very visual when I write, so my voice tends to see things like I would.  I’ve often said that when I’m writing, it’s as if I can see a movie in my head, and I’m only doing the novelization.

How do you develop your characters?

I start from a simple sketch, and then build as I go along.  Sometimes I’ll have a character done in simple stokes in a few hours, other times I’ll keep working on character until they’ve become a part of my life.  Just remember to give them a few flaws so they aren’t super perfect.  Except when they are, of course.

How much of your writing gets edited out? For instance, I've written several chapters then cut them because my story just wasn't progressing. Have you ever done that?

Almost never.  I’ll rework a chapter so it doesn’t sound as if it were written by an eight year old, but very rare are those moments when I cut something be cause it isn’t working.  In fact, the only time I can think of having to cut out something that I’d written before, and felt it didn’t fit, was a couple of paragraphs at the end of a chapter when the character said something to another character she’d just knocked out, and I realized that person wouldn’t have said something like that.  So I removed it.

I edit myself as I go alone—even during NaNo, I know, turn me in—and if something isn’t working, I rewrite on the spot.  When my first draft is finished, that’s what I want it to be.  Anything that would get cut would never make it to the first draft.  It’s just how I am.

What advice would you give to the budding writer that wants to write romance or erotica?

One, if you think kinky is using the whole chicken, allow me to hit you upside the head with a dead fowl and write about how kinky it was.  As for two . . . damn, this is hard.  I don’t write romance, per say, but there are large stretches of my novel Transporting that deal with romance, and what one person does to find it while working on something that’s far bigger.

The problem I have with romance is that we, as a culture, have seen so many convoluted stories on romance that we have a skewed view of how romance should be portrayed.  I would say, look at your romances, look at what worked for those around you, and extrapolate.  To me, romance involves small things, moments that mean so much, but are still part of a bigger picture.

And erotica?  That’s even more interesting.  So much of what we see as erotica these days really stems from porn—I mean, where else are you going to see stories about having sex at work with just about anyone you want?  I won’t say that hasn’t happened—I used to work at Playboy, and I heard some extremely good stories about the Swinging 60’s and the Get High 70’s—but so much of that stuff is just so gone these days.  Really, too, who wants to have sex at work?

Erotica is more that simply bumping naughty bits.  There are feelings there as well, though they can be far more complex that just, “Oh, he/she/it loves me!”  Depending on what you’re writing—three-way sex scenes, gay and lesbian, BDSM, straight up fantasies with guys doing blue cat girls (oh, you didn’t think that was erotica?)—try making the characters real.  Try to make the emotions real.  And most of all, keep your own elf out of the story.  If there is one area where writers who aren’t very skilled really Mary Sue their characters, it’s erotica.  After all, if your boss is some kind of manic sex fiend, who doesn’t want to hook up with them?

Well stated!  I have to agree with you on that.  There's so much more than just the "scenes" where they get their nasty on.  To me that's just porn and it should go to Hustler.  It's the story that makes it worth the read for me.

When did you realize you wanted to be a writer?

When I was fourteen or there about.  That’s what I wanted to do.  I wanted to tell stories and get published.  But I couldn’t type and my spelling sucked.  So I had to wait a few decades.

Do you write on spec or on contract?

I haven’t been fortunate enough to get either of those suckers.  I write and try to sell.

Do you have any quirky rituals or habits that are part of your routine?

I need music on; I detest silence when I’m writing.  It doesn’t seem natural to work without something blasting out of my speakers.

As a writer what would you say your best writer skills are? Your worst? ( ie character development storyline plot story arc etc)

My best skills are that I look at this like a job, and I do it, every day.  My worst is I will sometimes take the lazy way out of describing things and do something half assed.  Then I know I gotta go back and fix it, but I hate the fact that I did it in the first place.

Thank you so much for taking the time for this interview.  We hope to be reading many more stories from you in the near future!

Interview With Macie Snow

Welcome to Storytime Lounge.  Today we have a special treat, an interview with our very own Macie Snow.  



Ellie: Welcome Macie, please tell our audience a little about youreslf.
Macie: I'm a senior in high school, have one younger sister, and I'm interested in art, writing and gaming. 

Ellie: Wow, it must be tough to find time to write with the demands of school.  How do you find the time?
Macie: Whenever I can get a spare moment, and sometimes I write while I watch movies and such.

Ellie:  What genre do you typically write?
Macie:  I would say YA fantasy romance.

Ellie: What qualifies the end of a writing session for you? Do you set a daily word count, write by scenes, can you describe?
Macie:  I usually just stop when I run out of time, like when the bell rings at the end of class or if it's time for bed.

Ellie:  If I gave you a story prompt, how long would it take you to write either a flash fiction piece or a short story?
Macie:  Well it would depend on the prompt but typcially not long to come up with the story idea.

Ellie:  Where did you get your inspiration for Twin Desires? 
Macie:  I wanted to write a medieval story and that's what I came up with .  As I went along I just got more and more ideas.

Ellie: Who is your favorite author or authors?
Macie: Rick Riordan, Maria V. Snyder, Rachel Vincent, Chistopher Paolini, Louise Rennison, and Michael Chrichton

Ellie:  In the past you've mentioned that you and your sister often memorize and recite lines to movies. What is the most recent movie you've seen that you've done this with?
Macie: "A person can't feel all that, they'd explode."  Ron Weasley from HP movie.  "That's just maddeningly unhelpful."  Jack Sparrow from Pirates of the Caribbean.

Ellie:  Describe your typical workspace to me.
Macie:  Messy, cluttered, mulitple projects open at one time.

Ellie:  I have to say for such a talkative person, Macie is rather shy in a formal interview.  Perhaps If I coax her with some video games next time she'll open up in her usual fashion.  What can we expect next from you Macie?

Macie:  Probably some poetry or some short stories, maybe some flash fiction as things are getting a bit hectic in my school work and working on my full length novel.